Collections

Every piece starts from the same source: nature, the sea, and a moment that can’t quite be put into words. What changes is the language I paint it in, sometimes broken into pixels, sometimes free and gestural, sometimes quiet and abstract.

How I Paint

Four languages of expression: from the structured precision of pixels, through recognizable figure, to a fully free, gestural brushstroke.

Pixel Art

Signature work built from pixel structure: control and rhythm, a motif broken apart and reassembled.

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Figurative Painting

Recognizable form and figure, faithful to the eye but led by emotion. Runs through several collections.

See in: Portraits, Fragments of Memory

Wild Silence

Expressive brushwork without pixels: strength and calm, instinct and inner balance.

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Abstraction

A journey through techniques (collage, watercolor, pouring, printmaking), the same emotions in different materials.

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What I Paint

The same motifs return across every technique: nature, animals, and the human figure as a constant source of inspiration.

Flora & Fauna

The plant and animal world as a mirror for emotion: birds, flowers, sea, and forest.

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Portraits & Figures

Self-portraits, dancers, and sacred motifs, the human figure and the inner world.

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Exhibition & New Medium

Fragments of Memory

A curated cross-section of the whole body of work (pixel art, portraits, nature), staged as a solo exhibition around one idea: visual records of a moment that has passed but stayed alive in feeling.

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Sculpture

First steps in sculpture, under the mentorship of academic sculptor Karlo Klen: Horse, Dog, Portrait. Now continuing to develop these skills with academic sculptor Jelena Azinović.

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